I worked with indie artists, with major label ones, and they all get the same treatment: my 100%. I feel strongly about the artist getting that twinkle in their eye, the goosebumps one gets when their hopes come to life. Ever since then, this has been my primary focus. They were offered the same respect and care that their more experienced counterparts received. I saw how Grammy-award winning engineers dealt with the students they recorded during lessons. The biggest thing I learned was how to be a professional in and out of the studio. I loved the course I loved my teachers I loved the opportunities I had there. That led me to switch over to the Contemporary Music Production Degree. I wasn’t down for that, drumming was too personal for me. “I wanted to be an all artsy, unconventional drummer however, if I wanted to make a living out of playing drums, I would’ve had to tone down my playing style.

After securing a place at The Academy of Contemporary Music in Guildford, UK to study drums, he soon realised that being a drummer professionally maybe wasn’t the right path to take.

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